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Sent by Oscar Conde   
martes, 26 diciembre 2006

The relationship that exists between Tango and lunfardo is undeniable. You only have to go through the lyrics of tangos since its origins to find that the poets of the genre make an extensive use of lunfardo. But, what is really lunfardo? A language? A dialect? A prison slang? A vocabulary?

Because the use of lunfardo surpasses its appearance in the tango corpus, because it is a live element of the way of speaking of Buenos Aires I thought it was necessary to start to clarify what lunfardo is not, with the object of specifying further on what it is.

Regarding the origin of lunfardo there are a lot of fantasies. The biggest nonsense –maintained even by the author of a recent dictionary- is that lunfardo is a language. Since the XIX century there has been who pretended the existence of a national language. The thesis, inspired by Juan María Gutierrez, was defended in 1900 by the frenchman Luciano Abeille, that published in Paris a book called precisely The National Language of the argentines, where he proposed some sort of mix between spanish and the indigenous languages, french, italian and to a lesser extent english and german. Some sort of delirious neo-esperanto. It’s true that Abeille didn’t take into account the lunfardo, but he did advocate the use of popular terms and expressions that in those times horrified other defenders of the thesis, like Mariano de Vedia.

It’s out of the question that lunfardo is not a language. It is not because you can’t speak completely in lunfardo”, it is clear that the most that somebody could say is “to speak with lunfardo”. lunfardo, as you can speak in quichua, in guaraní or in portuguese. And this is because inside lunfardo there aren’t nor pronouns, nor prepositions, nor conjunctions, and it practically lacks also of adverbs and because –this is the most important point- lunfardo uses the morphologic mechanisms of spanish for the conjugation of verbs and the inflection of nouns and adjectives and makes use of the same spanish syntax that we study in school. No matter how common is to say “to speak in lunfardo”, it is clear that the most that somebody could say is “to speak with lunfardo”.

It’s not a dialect either, because a dialect is a regional variety of a language. It’s obvious that there is a Rio de la Plata or porteño dialect of the spanish, but that implies the junction of different elements apart from those that belong to the lexical field: certain phonetics –a certain way of pronouncing the “s”, the “c” and the “y”, etc…-, the existence of alternative pronouns of the second person(“vos” and “ustedes”), that are different from the pronouns of the standard spanish(“tú” and “vosotros”), the resulting verbal agreement with this pronouns –“vos podés” and not “vos puedes”); “ustedes saben” and not “ustedes sabéis”-. It’s true also that a dialect is recognized by its terms and, in any case, it could be said that lunfardo is one more element among all that characterize this dialect of Buenos Aires. But in the lexical level there are furthermore other matters to take into account that have nothing to do with lunfardo. Speakers of a dialect select, from all the lexemes that make up the language, some in particular that are not the same the speakers of that language in other regions. For example, a speaker of the dialect from the Rio de la Plata calls “frutilla”(strawberry) to what a spanish speaker from the Iberian Peninsula calls “fresa”, or “subterraneo” to what the second calls “metro”.

Oscar Conde

Note of Sentir Tango: This text has been separated in two parts. You can read the second part here, but before doing so, we encourage you to read the user comments and to leave your own if you desired to


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Written by AmantesDelTango on lunes, 22 enero 2007

Hola.. Muy interesante el comentario inicial. Yo todavia debo castellano de segundo año, por lo cual no soy una autoridad es decir "que es" y que "no es " el lunfardo. Lo que si se es que viajando por Europa , pricipalmente en italia, vi como la gente de cada ciudad o pueblo que tienen un "dialecto" privilegian su uso..al de palabras en otros idiomas.. Propongo usar "el lunfardo" intensamente en la vida cotidiana, especialemte en el trato con turistas, para que quede claro que el tango es de aqui.. como el lunfardo.
EDU




Written by Tolemach on viernes, 12 enero 2007

I didn´t even know about the lunfardo. Now I am very interested. Please some more!




Written by LSantinelli on sábado, 06 enero 2007

Siempre recibo con agrado a aquellos autores que ademas de probadamente doctos en la materia sobre la que escriben, no tienen "pelos en la lengua". Casualmente recibí como regalo de fin de año hace dos o tres años, el diccionario del Sr. Conde, sin la menor duda único en su género, y ha sido una muy grata sorpresa encontrarme con este artículo suyo. Estoy impaciente por seguir la continuación de sus trabajos.




Written by cacholo on jueves, 04 enero 2007

Me parece muy positiva esa forma de discurso en la que se comienza hablando "de lo que no es", especialmente si hay puntos discutibles en lo que se ha instalado en la opinión generalizada. Ademas, es alabable que se aborde el tema del lunfardo no solo como un elemento unico del tango, o como muchos dicen "el idioma del tango". Es algo muchisimo mas profundo. Todos los porteños lo usamos hoy, en la mayoria de los casos sin saberlo. Bueno, espero la segunda parte de la nota, ya que se me hizo un poco incompleta. Gracias.


 
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